Saatchi Gallery

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Meanwhile at the Saatchi Gallery, London I’m having acid flashbacks.

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Madrid at Night

The air is hot this time of year in this part of Spain. It feels baked. The doors and windows of all the tabernas and cafes and restaurants are open to the night and people fill all the space on either side and in between. The music of shouting voices and eighties Spanish ballads are thick on the air and stick to it. The night smells like dust and piss and cigarettes.

I walk through hedgerows of people drinking and smoking out to the edge of the street. I slide along the outside, slick.┬áThere’s a bar around here that gives glasses of wine and some decent if not bottom-shelf ham for a euro. I have no particular destination but I feel a ghostly pull at my elbow when I pass the place.

I came back to Madrid to find meaning as if it were some ephemeral thing floating out there, wild and thrashing, what a reward to hook the beautiful damn thing. I’ve read in good books that that’s not the way it works but what the hell does anybody know. I mean really. The world is full of this kind of mystic junk to find and I’m covering a lot of ground. That’s the only reason I go anywhere. Sometimes we turn so far inward that it’s hard to tell if we’re more neuroses than person. I narrowly miss getting taken out by a Renault full of teens in the cross walk.

Farther up the street are middle-aged immigrants selling Spanish beer from trolleys they hide in the trash, waiting on corners splitting the tide of street revelry like rocks in a stream. They profit from the crisis because everyone’s too broke to get bar drunk, or don’t see the point. The white noise is deafening, the plazas are all full, the sidewalks are full. In the narrow streets and alleys the cars try to push through it all and somewhere in that throng is an Argentine kid with a guitar and a guy with dreads and rhythm sticks. Correction: single dread.

This is the kind of night that feels heavy, like nothing is in your control. That’s not the night and it’s not Spain and maybe you’re going to bring your problems with you or maybe there’s nothing to figure out.

People care about you and they understand.

Everyone’s drunk and everyone’s smiling and everyone wants me to venga tomar algo. American’s don’t like to be touched they tell me, patting my back and handing me a cup of red wine and coke zero. San Francisco’s beautiful, it’s their dream to go there. Someone has some hash.

A municipal police car rolls up across the plaza. In one big choreographed movement everyone throws their cans/cups/bottles (but not the hash) and runs.

The bus is my sweet mistress: LA to SF

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Glad to be back y’all.

My driving arm is three shades away from chestnut and the small patch of right thigh, a birthmark that has never had any melonin, stands in bright white contrast against the pink of too much sun; It still has the vague shape of the continguos United States. This is all left over from sunbathing in Highbury Fields with pale friends who feverishly flock to open spaces to pink themselves when London is generous enough to give them consecutive days of sun.

In Los angeles it’s just more of the same. The heatwave cats are lying on their backs with pale bellies up, worshiping the sun gods, their stripped limbs spread like starfish. image

In this weather I’m in perma-bike shorts and a bra, drinking one of the 48 cans of diet soda I was obligated to buy because Stater Bros was having a sale.

I’m on my way up to the bay (that means the San Francisco bay on this side of the country), just booked a ticket on the new Megabus route that runs the 400 miles from Los Angeles to SF at unemployed-staying-on-your-mom’s-couch recession prices. It’s a double decker with shoddy wifi but it boasts none of the beheadings that are wont to happen on the Greyhound.

80% of the drive takes place on the I-5, a straight shot through the green and dusty belly of central California, capped on either end by the civilization of Northern and Southern California. The route starts at the straight sleek pillar of Union Station in Los Angeles, which feels like a grave yard of public transportation’s past; a huge dunny sepulchre of a building festooned with palm trees, vast and cold and only ever half full of foothill commuters.

The megabus is in the hub of bus termini, a small kiosk in the blazing Sun. We are seated according to a lottery, I’m number 34, I sit next to a snoring waiter whose foot keeps knocking my charger out of the port between us.

Leaving Los Angeles you wind your way around the outlying commuter communities until you reach the steep and winding brushy purple passes of the Grapevine. Signs run along the shoulder warning drivers to turn off their air conditioning lest their cars over-heat climbing the deceptively steep incline, but still 3 out of 5 times you’ll pass cars steaming or fully on fire on the shoulder, with burnt out blackened patches peppering the highway from car-deaths passed.

From there the interstate opens up onto the 5 proper, past Bakersfield and Buttonwillow. It’s here the bus stops at a travel center for a 20 minute lunch. I eat a big liquor store hotdog in the parking lot BY CHOICE, standing in the shade and exhaust of the megabus, watching the mix of students and common folk shuffle back to the bus with sad sacks of fast-food or happy big cups of Starbucks. Everyone’s head is down.

Then it’s back on the bus through orchards and farmland for 5 hours, then a concentrated animal farm colloquially known as “Cowschwitz” full of methane and mud and none of the “happy cows” for which the TV says California is known. Then there’s a famous pea soup place and windmills on a hill then you’re passing the outlying BART stations then you cross the SF Bay Bridge where you’re dumped off at another less-sunny bus depot deep in a weird part of the city. Then you go to the bar.

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My gear.

Traveling on the Spanish larga distancia bus networks has accustomed me to hours on buses, and the interior of Spain has a striking resemblance to San Bernardino and the Inland Empire of Southern California, so this all feels fairly routine. The only thing conspicuously lacking on this commute versus my Spanish bus life is the badly dubbed Jean Claude Van Damm movies.

Wi-Fi can take care of that.